MB&F calls it a "three-dimensional motion" that was created from a 19th century perspective. Audemars Piguet Tourbillon Replica This is consistent with the overall concept of the LM1. Jean-Francois Mojon, a master movement architect from Chronode, created it to fulfill Max Busser's "kinetic sculpture", which Audemars Piguet Tourbillon Replica includes the floating balance wheel.Kari Voutilainen, a renowned horologist,Audemars Piguet Replica contributed 19th-century design and finishing Audemars Piguet Tourbillon Replica specifications to the movement. I have been told that he personally inspected each case before it was sealed. Each signature is hand-engraved on each movement. The movement is stunning, as you can see from the accompanying photo. The bridges are influenced by the style and shape of historic pocket watches.Audemars Piguet Tourbillon Replica
Highlights include the anglage and gold chatons with polished Audemars Piguet Replica Watches Audemars Piguet Tourbillon Replica antisinks. The LM1 is a masterpiece in 19th-century hand finishing techniques, thanks to its polished bevel angles, polished bevels, and Geneva waves. Manually wound, the movement has only one mainspring barrel that powers Audemars Piguet Tourbillon Replica both time displays. This movement, unlike the Armin Strom Dual Time Resonance and FP Audemars Piguet Tourbillon Replica Journe Resonance, both of which have independent time displays that allow for autonomous settings for minutes and hours without referenced to fixed time zones, uses only one mainspring barrel and a single escapement. Each has its Audemars Piguet Tourbillon Replica own crown that sets the time. However, only one can be used for winding the movement. The 14mm flying balance wheel, which is located at the top of the movement, is the key visual element. The show is enjoyed by the naked eye at a hypnotic 18,000bph.